A Quotable Rant - I Blame Master P

"Friend or foe yo? State your biz. /
Hmmm, ya tend the doe? Ah, there it is. /
Me? I run the show. Oh, and these kids /
Don't like nobody comin' round here f*ckin' wit they doe for sh*t. /
You're enterprisin' though and I like it. /
But f*ck wit the big dogs yo, and I gotta bite ya. /
Look, its outta my hands. /
And you gettin' money round here is not in the plans. /
So hop you ass outta that van - head back to Kansas."
"Friend Or Foe" - Jay-Z; Reasonable Doubt

I blame Master P for this sh*t.

To his credit, Master P was the possibly first rapper (certainly the first I can remember) to master the science of marketing.

Think about it.

P turned independent record label No Limit Records, into a one-time industry powerhouse and global conglomerate, selling over 75 million albums to date. He used grass-roots marketing techniques such as selling tapes out of the trunk of car in areas with potential demand for his brand of gangsta rap music - giving free samples to people in expensive cars (Wikipedia.org). In 1996 he parlayed this street-level buzz into an industry shaking distribution deal with Priority Records, giving No Limit Records 100% ownership of its "masters" (master recordings) and 85% of record sales - an agreement unheard of at the time (and, fore the most part, since). He ingeniously created brand recognition for No Limit Records and cross-promoted his artists in every project (albums, straight to video releases, etc). Every release used the same, over-the-top artwork (diamond encrusted titles, bright colors, gaudy mafia imagery) regardless of whose album (Mystikal, Silkk tha Shocker, Mia-X...whoever) was actually being released, making No Limit records instantly recognizable on record store display shelves. He was the first rapper to be worth over $300 million, immensely increased the popularity of southern rap music, and was a part of the foundation for what would later become known as "Crunk Music" But probably most importantly, (according to Wikipedia.org) "he made sure all of his artists debuted at #1 on soundscan to build the perception of popularity" (is it me, or does that sentence allude heavily to P inflating record sales by buying large quantities of No Limit releases himself?..."things that make you go hmmmm"). Master P made somethin' outta very little, layed the blueprint for today's method of new artist discovery and forever changed the inter-workings of the rap music industry.

Only one problem. Master P couldn't rhyme!

Seriously, (and this is the most impressive part of his story) Master P sold rap music without being able rap. Instead, he came up a with his own formula - enviable personality, energetic production, easily remembered hooks, and the infectious, A-1 ad lib - "Ugghhhhhh" (I could go senile tomorrow and still have "Make 'em say Ugghhhhh! Na Naaa Na Naa!" trapped in my head). This combination opened the eyes of every other record label and forced them to revise their business plan. No longer was artist development, well-rounded Lps, music quality and lyrical talent crucial to movin' units. Thanks to to the P-Formula beats, hooks, and ad libs were now paramount (my thank you card is in the mail....sigh).

I say that to say this.

Now, 10 years later, Hip Hop is flooded with a bunch of one-trick ponies disinterested in the trivial nuances of Hip Hop...You now, little things like history and lyrical expression and sound quality and, well...Hip Hop. Hell, everyone these days thinks they are rappers...and sadly, thanks to the P-Formula, just about everyone thinks they can actually be a rapper. Hip Hop is the new gold rush or dot.com-boom - its the new 'hustle' and every muttaskutta with a pen and a pad is runnin' to the well. The worst part is Master P's off-chutes have taken the P-Formula to an all time low.

Case in point: Young Jeezy.

Young Jeezy has seamlessly adapted the P-Formula to his brand of trap music - utilizing stellar production, catchy hooks, and extensive adlibing to sell records. Arguably, he's more known for his ubiquitous ad lib, "Yeaaaahhhhhhh," than any line dropped since his major-label debut Lets Get It: Thug Motivation 101 (and is a direct decendant of P's "Ugghhhh!"). His "Snowman" persona is an immediate reminder to P's "Ice Cream Man" alter-ego. And beats and hooks are his songs primary selling points. By no means is Jeezy the only rapper using the P-Formula to move units, but he is the prime example of what happens when the P-Formula goes wrong.

What separates Jeezy from most other offenders (Pitbull falls into this category as well, having gone on record stating Hip Hop is only a hustle to him) is that he openly, in fact arrogantly boasts being a "trapper not a rapper." Hip Hop isn't his Heaven - its his Hustle; and he proudly pimp's it for his own profit. And there lies the irony behind this boondoggle.

My cousin Sha broke it down like this.

Jeezy's popularity is based off of his trap star reputation. He's a block-hustler with assumed ties to Atlanta's most notorious crime family (Black Mafia Family) so his street credibility has never been in question. To even survive in that world, there are certain rules you follow. So I wonder what would Jeezy (or anyone in the life) do if some outta town hustlers encroached on his territory, pushin' product to his clientele, and bounced safely back to whereever they were from with a pocket full of cash (like on The Wire, when the New York cats tried milkin' Marlo's blocks down in B-More; or Jay-Z's "Friend Or Foe" - he's talking directly at guys like Jeezy...yet he signs him to Def Jam? Money talks loudest)? Specifics aside, that ish would be handled accordingly - as it should.

But despite knowing that basic rule of respect for other people's territory, Jeezy un-remorsefully encroaches on Hip Hop culture, using the P-Formula to sell records, and makes millions of dollars without showing an inkling of deference to what and who he's stealing money from!

Thats right. STEALING.


Its one thing to be a bad rapper with a good gimmick (there have been plenty of wack rappers in Hip Hop history). But its a wholenother thing to profit from Hip Hop and not proudly claim to be a part of the culture! That ish will get you killed where he's from...but somehow okay for him to pull that sh*t over here? Jeezy is making millions of dollars off of Hip Hop music (thanks to the P-Formula) and says he's not a rapper??? He's a trapper??? He's just gettin' his paper???? I'm suppose to respect you just because you "bust your guns"??? Nah muttaskutta, YOU DO THIS NOW! You have decades worth of deference to pay, homie and you're slackin'. Real recognize real, and I ain't never seen you in my life! I can't wait for your counterfeit rap career to fall off and you end up in a too-tight-two piece suit...dancin' with the stars.

So what if Young Jeezy is a 'hustler' or 'trapper' or whatever he considers himself? In the end he's a hypocrite, simple and plain. And I'll NEVER respect it - no matter how hot his ad libs are.

"Get the point?
I'll let you go, but before you leave, /
I guess I oughta let you know / I need those keys.
And a promise you'll never, / no matter the weather, /
Eva-Eva-Eva-Eva-Eva-Eva-Eva-Eva-Eva-Eva-Ever /
Come around here no more."
"Friend Or Foe" - Jay-Z; Reasonable Doubt


Carry On....

Yo!

"I'm just writin' my name in Graffiti, on the wall."
"My Melody" - Rakim; Paid In Full



"Futura" - Kell; 1980

Quotable Videos: Positive K - "I Got A Man"

Nas got me feelin' nostalgic ya'll.

1992 - Back then all you had to have to get on the radio was...a good song.

Wop it out. Wop it out.



Shout out to the girls in the bikinis (no beach. no pool. still...bikinis).

Carry on...

The Quotable Reviews: Hip Hop Is Dead


"Gave my man my right, I coulda went left. So like my girl Foxy the kid went Def."
"Hip Hop Is Dead" - Nas; Hip Hop Is Dead

Over the past 5 years, God's Son's been good to The Company Man.

No doubt.

Since Jay-Z seemingly, single handedly revitalized Escobar's approachingly stale career with the now infamous battle-track, "The Takeover", Nasir Jones has crafted 3 critically acclaimed, platinum selling LPs (Stillmatic, God's Son, and the grossly underated double disk, Street's Disciple), pushin' the envelope to its lyrical, creative illest every bar along the way (seriously people, who else is spittin' detailed street tales in reverse ("Rewind")? What other rapper is makin' tracks from a female's perspective with such vivid clairity that its mistaken for a guest appearance ("Sekou Story" and "Live Now")?? What other Emcee makes a song with his POPS ("Bridging the Gap")??? Anyone who can't appreciate this is 12 years old (intellectually) and should leave any room The Company Man is in immediately. Certain places children can't play). So with the announcement of his controversially entitled, Def Jam debut album, Hip Hop Is Dead, expectations rose high for us here at The Quotable. Whats Nas got for us now?


*****
"I can smell the haters. Wishful thinkers. /
Bad-luck prayers."
" Money Over Bullsh*t" - Nas; Hip Hop Is Dead

From the first verse on the first cut ("Money Over Bullsh*t") on Hip Hop Is Dead, its apparent Nas came with a mission. A message. And anyone in the way can either roll, or get rolled over. "Put a barrel in a Capo's mouth, 'til his scalp come out. / You a kid. You don't live what you rap about" God's Son spits over L.E.S.'s thumping bass drums and haunting piano keys, dismissing (Dipset Capo) Jim Jones in one bar.


"N****s always on that bullsh*t.
Makes a n**** wanna open up a full clip."
"You Can't Kill Me" - Nas; Hip Hop Is Dead

Clear the trash. Carry on.

From there, Nasir Jones dives head-on into the concept driving this (near) concept LP - "Hip Hop been dead [and] we the reason it died." But rather than wasting an album whinning about everything wrong with today's commercialized Hip Hop industry, God's Son crafts an introspective, educational, and at times inspirational album impressive in both its intricacies and its exclamation points.

"Carry On Tradition," finds Nas bodly admonishing both bitter "rap pioneers" and self-important new rappers "with they fingers entertwined in some gang sign madness," reminding them both that if you've made money off this game, or are making money off this, then you need to contribute to the culture; you need to respect where its been and continue to push it forward.

He follows that with "Where Are They Now?," joining Salaam Remi behind the boards (receiving production credit). Over live drums and a James Brown (the Godfather of soul, Grandfather of Hip Hop) sample, Nasir shouts out "some of his homie's that were misrepresented - legends of the game."



"Lets break it down to / Mic Geronimo, Pharcyde and Coolio. /
I heard Craig Mack back in the studio. /
Have you seen these lost MCs? Funky 4+1, Force MDs. /
Ms. Melodie, I hope she packin' a bank roll. /
As well Educated Rapper, [Dr.] Ice, and Kangol. /
Shante, she from around my way yo. /
EPMD, K-Solo. / Where are they now?"
"Where Are They Now" - Nas; Hip Hop Is Dead
The opus continues with the Will.I.Am produced title-track, "Hip Hop Is Dead," where God's Son kicks an inspired, freestlye flow (once again) over the sickening "In-A-Gadda-Da-Vida" sample (He used this same sample on "Thief's Theme" (Street's Disciple). Then Lupe Fiasco came along and murdered his beat on the mixtape cut "Twilight Zone." I guess Nas wanted (needed?) another shot at this one...stating "I had to flip this track again yall" during the song intro. Looks like Lupe touched a nerve torchin' his track like that. I'm making this up...but what if I wasn't?).





Up next..."Who Killed It?" a 3 minute and 10 second long mystery track where Nas, using an uncanny Humphrey Bogart impression (or some other prohibition era gangster voice. Actually, I have no idea whose voice it is, but its uncanny nonetheless. In fact, if you know whose muttaskuttin' voice he's using, hit up The Company Man. Thanks, carry on) is on a case to find out who killed Hip Hop (over mean Salaam Remi / Will.I.Am production using the beat from Eric B & Rakim's "I Ain't No Joke")...easily the most creative cut on the album. Definitely a must-download.

"I feel like a Black Republican, / Money I got comin' in. /
Can't turn my back on the hood, / I got love for them. /
Can't clean my act up for good, / Too much thug in him. /
Probably end up back in the hood. / [I'm] like f*ck it then."
"Black Republican" - Nas; Hip Hop Is Dead
Arguably the most anticipated collabo of the new millenium, Jay-Z guest appears on "Black Republican," creating Hip Hop's first anthem of the new year. God's Son rides L.E.S's epic production to perfection (this entire album really....Nas spits the perfect flow for each beat on the album. It really is a thing of beauty). Ironically he never refers to himself as a "Black Republican," substituting "Black Militant", taking over the government" instead. Which makes sense if you think about it...I mean Nas is a lot of things...and a black republican is certainly not one of them (I can't even imagine Nas in a voting booth, let alone calling himself a "black republican"...I digress).

Kanye West returns the favor on "Still Dreaming" (Nas guest appeared "We Major" on 'Ye's sophmore LP, Late Registration) where the 2 emcees wax poetic on creepin' relationships, manhood, and entrapment using a sped-up soul sample - Diana Ross's "The Interim" - as the backdrop (classic Louis Vuiton Don production). I gotta say one thing, Kanye's growth lyrically and sonically is impressive. With every release, his beats become more seamless (initially you could hear the breaks in the cut from whatever sample he used. But, the breaks on "Still Dreaming" area nearly inaudible. I mean, I can figure where the breaks probably go, but they're certainly not obvious. My cousin Sha pointed this out to me. Always educating) and his delivery more competitive. Say what you will about his arrogance, but at the end of the day his hunger is refreshing. He wants to be a better emcee, and any Hip Hop fan should appreciate this (same goes for Lil' Wayne. And The Game. Not Young Jeezy though. You can't say that about Young Jeezy). Another must-download track.

"Its beef week / Monday murda. /
2 n***** dead Tuesday. / Wednesday and Thursday is hurst day.
Friday - sombody-gotta-die day. /
Saturday, put the gat away. Chillin' wit' your chick and a bag haze, /
Wonderin' how its all gonna end / In what type of way. /
Cause Sunday, back to gunplay. /
Most sh*t start over nothin' and get finished quick cause the art of reprecussion. /
Yeah I seen it. A G'goin out indecent."
"Hold Down the Block" - Nas; Hip Hop Is Dead

"Hold Down The Block" finds Nas opining on of a hustler's life and its consequences, without ever sounding preachy.

The Chris Webber produced (yes, that Chris Webber) "Blunt Ashes" is a look back at his career while reflecting on the lives of notable politicians, writers, jazz musicians, and R&B singers. Another envelope-pushing cut.

Tre Williams fills "obligatory inspirational/ghetto reflective, Anthony Hamilton-on-the hook" track (this muttaskutta sounds just like Anthony Hamilton...kinda like Sterling Sims sounds like R.Kelly on Jay-Z's "Dig A Hole." Designer impostors smell good too. Certainly cheaper) on Kanye West produced, "Let There Be Light." The track also features one of the album's realest Quotables - "I can't sound smart or yall'll run away." You can't tell that that line doesn't speak volumes about today's dumbed-down rap industry.

In fact one of the best things about Hip Hop Is Dead is that it ends just as strongly as it begins. "Can't Forget About You,' 'Hustlin,' and 'Hope" all fit subtly, strategically into the album's theme; all 3 are straight Hip Hop.


"Unforgettable. Unsubmittable. /
I go by 'N' now. Just 1 syllable. /
Its the end cause the Game's tired. Its the same vibe /
'Goodtimes' had right after James died. /
Thats why the gangsta rhymers ain't inspired. /
Heinous crimes help record sales more than creative lines. /
I don't wanna keep bringing up the greater times. /
But I'm a dreamer, nostalgic with the state-of-mind."
"Can't Forget About You" - Nas; Hip Hop Is Dead

I think I'm in love with Chrisette Michelle (her voice at least). Homegirl can blow. She stole 'Lost Ones' from Jay-Z, and she gives Nas a run for his money on (another Will.I.Am special) "Can't Forget About You." The hook is ridiculous, the sample is perfection (Nat King Cole's Unforgettable) and Nas delivers one of his best series of verses since Hova woke his ass up. How 'bout this...if I was trapped in a mini-van with 4 ornery 8 year-olds on a cross-country drive to California and was only allotted 12 songs on the family ipod mini...this song would be 1 of them...thats how dope it is. I can listen to this track forever.


The Game makes an inspired guest appearance on the Dr. Dre produced, "Hustlers," spittin' "1995, 11 years from the day, / I'm in the record shop with choices to make. / Illmatic on the top shelf, The Chronic on the left homie. / Wanna cop both but I only got a $20 on me. / So f*ck it. I stole both." The Songstress, Marsha Ambrosius (from Floetry) laces the hook here and Nas rides Dre's synth strings and subdued heavy keys to perfection...again.

Finally, God's Son concludes Hip Hop Is Dead on some real Emcee ish with an ill accapella freestyle flow, vividly depicting the days when he and Hip Hop "used to be close." No beat. No hook. Just his point:


"Ain't got nothin' to do with Old Skool, New Skool, Dirty South, West Coast, East Coast. This [is] about us. This our thing. NahwhatImsayin'. This came from the gut. From the blood. From the soul. Right here man. This is our thing, man. You know. So I say what I say. And I say what I say and I mean it. Yall take it how you wanna take it. Cause if you askin' why is Hip Hop Is Dead, its a pretty good chance you're the reason it died man. Its a pretty good chance your lame ass, corny ass is the reason it died, man. You don't give a f*ck about it. You don't know nothin' about it. You want this paper, be a hustler. You a 'hustler' you ain't a 'rapper' - get your paper man. NahwhatI'msayin. But this rap sh*t is real. Bitch. This sh*t is real, Bitch."



Understood.

*****

As dope as Hip Hop Is Dead is, its not without its faults.

3 things:

1) Although Nas's delivery delivers on "Carry On Tradition," the Scott Storch, $80-thousand-dollar-per-beat beat is wack. He paid too much...whatever he paid.

2) The Kelis assisted "Not Going Back" is nice...but poorly placed. First off, the beat is too slow for the album's pace at that point, disrupting the transition. "Where Are They Now?" thru "Black Republican" is like driving 90mph in a 50mph zone..."Not Going Back" is the brick wall. Now, this track - with its gunshot rampage intro followed by Kelis immediately admonishing his actions - fits perfectly right after "Hold Down the Block." Plus, "Hold Down the Block" touches on bangin, hustlin, doin' what you gotta do...but knowin' that eventually you'll have to pay for it. "Not Goin' Back's" declaration of NOT going back to the hood is the logical follow-up thematically. And the pace flows with the rest of the Lp. I already re-arranged the album on my iPod.

3) I hate to critique this because I think its a great song but "Playa On Playa" is outta place on Hip Hop Is Dead. Snoop blazes this track and of course God's Son doesn't disappoint, but the pimp theme feels odd here. "The finest chicks I came on and sprayed them. / Gotta get your papes on, play on Playa"...catchy as hell, yes...dope beat, dope rhymes...wrong album. Maybe the Label made 'em do it.

Oh, and one more: Did he include the song lyrics in the album book? NO! Of course not. That would make too much sense. Fans might appreciate that a little too much. I don't know, but it seems to me that the best way to ensure your audience knows what you're saying would be to WRITE IT DOWN FOR THEM. Seriously, this is more necessary now than ever...people don't want to listen like they used to...and if its too complex, they'll ignore it all together. And when you ask them about the album later, they come back at you on some ole' "I couldn't hear what he was sayin'" or some bum-"I couldn't understand it"-bullsh*t. We gotta stop givin' these muttaskuttas excuses. (In my best Eddie-Murphy-as-the-old-white-jewish-dude-in-the-barbershop-on-Coming-To-America impersonation) Ahh Haa! Ahh Haa! (...wagging finger). Would you guys just taste the soup already!

Nevertheless, Hip Hop Is Dead is a masterpiece. You can bump this goin' to club, cleanin' the crib, chillin' wit your girl...where ever. You'll learn about Hip Hop from this album. Buy this album. Burn this album. Steal this album if you have to...whatever. Just make sure you listen to Hip Hop Is Dead.

Its that serious.

Rating:
QQQQ.5



Best Tracks:


  1. The wholedamnthing

Carry On...



On the set of "Can't Forget About You"









courtesy of YBF.com

Quotable Videos: Lupe Fiasco's - "Emperor Soundtrack"



Carry on...

Talib Kweli & Madlib - Liberation


Brooklyn MC Talib Kweli and underground producer Madlib tossed us a freebee...

Download Liberation here.

Hopefully this will hold me over until Warner gets its ish together and FINALLY releases Kweli's upcoming album, Eardrum.

The Grandfather of Hip Hop

In an interview with Allhiphop.com, Hip Hop icon KRS-One had this to say about the legendary James Brown:

"There is nobody who is more influential to Hip-Hop than James Brown. Kool Herc said that James Brown was the A-1 b-boy, the first MC, the first DJ – ‘cause he had two drummers. The drummer was what the turntable was today. When one finished playing, the other’d start, and sometimes they’d play together! Tell me this man is not the Christ! Tell me this man is not is Hip-Hop, straight up! James Brown is our artistic father. We all sample from him. This is a day where we exchange gifts. The gift exchanged with us from James was our culture. He freely gave his music to our culture. To me, that brings tears to my eyes! That’s some god s**t. That’s the lord and savior. On December 25th, James Brown gives the gift of himself to his children. What’s the gift we should be givin’ back? We should be givin’ back his request. “These record companies stole from me, get it back.” Get it back, children. There should be a James Brown Soul Museum, not a Rock & Roll Hall of Fame. James Brown."


R.I.P James Brown (May 3, 1933 - December 25, 2006)

Carry On...

"No Place To Go"

"Now I ain't tryna be the Greatest.
I used to hate Hip Hop. Yep.
Because the women degrated.
But Too Short made me laugh. Like a hypocrite I played it.
A hypocrite, I stated though I only recited half.
Omittin' the word bitch. Cursin', I wouldn't say it.
Me and dawg couldn't relate - til a "Bitch" I dated.
Forgive my favorite words for hers and hers alike,
But I learnt it from a song I heard and serda (sort of) liked."

"Hurt Me Soul" - Lupe Fiasco: Lupe Fiasco's Food and Liquor

GEEZ JEEZY?? - Disses Nas Over Album Title

First Lil' Wayne, now Young Jeezy joins the ruckus, (man, do these Lil-Youngun's grow up fast) dissing Nas over the title of his highly anticipated album, Hip Hop Is Dead!!

Is it me or is this looking more and more like a Hip Hop Civil War every day...I'm cool as long as it stays on wax. In fact, I'm HOPING this ends up on wax! These dudes NEED to SHOW and PROVE (tech nines and platinum plaques are no help during LYRICAL warfare).

One question though...when did it become cool to disrespect LEGENDS?

Listen Here and tell me what you think.


NAS certainly has Hip Hop talking! Hip Hop Is Dead (December 19).


Grammy Nominations: Lupe Picks Up 4 Nods


"My man said he wanted somethin' real.
Somethin' that he could be proud of, somethin' he could feel."
"Real" - Lupe Fiasco: Lupe Fiasco's Food & Liquor


Lupe Fiasco earns 3 Grammy Nominations (Best Rap Album, Best Rap Song, Best Rap Solo Performance)!


Nominees in Major Categories:


  • Record of the Year:
    "Be Without You," Mary J. Blige
    "You're Beautiful," James Blunt
    "Not Ready to Make Nice," Dixie Chicks
    "Crazy," Gnarls Barkley"
    "Put Your Records On," Corinne Bailey Rae

  • Album of the Year:
    "Taking the Long Way," Dixie Chicks
    "St. Elsewhere," Gnarls Barkley
    "Continuum," John Mayer
    "Stadium Arcadium," Red Hot Chili Peppers
    "FutureSex/LoveSounds," Justin Timberlake


  • R&B Album:
    "The Breakthrough," Mary J. Blige
    "Unpredictable," Jamie Foxx
    "Testimony: Vol. 1, Life and Relationship," India.Arie
    "3121," Prince
    "Coming Home," Lionel Richie

  • Rap Album:
    "Lupe Fiasco's Food and Liquor," Lupe Fiasco
    "Release Therapy," Ludacris
    "In My Mind," Pharrell
    "Game Theory," the Roots
    "King," T.I.

Click Here for the complete list of nominations.

Weezy Talkin' Greasy - Disses Jay-Z, Pharrell, The Clipse







Give a muttaskutta a mic and he'll run his mouth!!

In the Decemeber / January issue of Complex Magazine (newsstands on Dec. 12), Lil' Wayne (AKA, Weezy F. Baby....AKA "the Best Rapper Alive") had this to say about Jay-Z's 'comeback,' Pharrell, and The Clipse:
"I'm better than him, I'm 24 years old. ... I'm 13 years deep with five albums and 10 million records sold. I don't like what he's saying about how he had to come back because hip-hop's dead and we need him...What the f--- do you mean? If anything it's reborn, so he's probably having a problem with that. You left on a good note, and all of the artists were saying, 'Yo, this is Jay's house. He's the best.' Now he comes back and still thinks it's his house. ... It's not your house anymore, and I'm better than you."
On Pharrell Williams and The Clipse:

"I don't see no fucking Clipse. This is a fucking legend you're talking to right here. How many years them n***** been around? Who the fuck is
Pharrell? Do you really respect him?
That n**** wore BAPE and y'all thought
he was weird. I wore it and y'all thought it was hot. What I gotta go in the store and say, 'I like these colors but I can't buy them because other rappers wore them?'"

On on the photo of him kissing Baby (a man):

"I don't fault nobody for misunderstanding. I don't understand a lot of shit. Baby walked in the crib one day and was like, 'Everybody's doing this black mob shit. When I see you n*****, this is what we're gonna do.' And that's why you've
probably got a picture of me because I stuck with everything that man said.
But every n****'s done that. I've done kissed [Juvenile and B.G.]. No homo. Pause."

No Weezy, everyone has not done that. But either way...I'm just tired of rappers always talking about other rappers. Lil' Wayne is nice enough not to have take that route. Rappers need to take shots at other rappers to create a buzz....MCs let their music do the talking.

Anyhow, looks like Wayne is about to drop "Ether 2" - another diss track aimed at Jay-Z...the shark's are swarming. This is slightly more interesting than the Dipset / Jay-Z feud...at least Weezy F. Baby has TALENT.
"F**k that BEEF shit. That shit is played out."
"Whats Beef" - The Notorious BIG: Life After Death

Comments...

"Thats Me Right Now"

"I'm no longer confused, but don't tell anybody.
I'm about to break the rules, but don't tell anybody.
I got something better than school, but tell anybody.
My momma would kill me. Don't tell anybody.
She wants me to get a good ass job just like everybody.
She ain't walked in my shoes. I'm just not everybody."

"Graduation Day" - Kanye West: College Dropout


Carry on...

The Quotable Reviews: Hell Hath No Fury


"Through despair I traipse, bakin' pies, makin' cake. Hustlin' them Es and that C and H."
"Ain't Cha" - Clipse: Hell Hath No Fury


In the Summer of 2002, The Clipse emerged on the Hip Hop scene with its critically acclaimed commercial debut, Lord Willin'. Now I don't know if it was the LP's seemingly singular cocaine focused content or the duo's (brothers Malice and Pusha T) monotonous (and indistinguishable) delivery, but Lord Willin' was a straight Jewish holiday (pass-over). It didn't grab The Company Man. I guess I couldn't relate.

After a vicious label dispute (Arista Records was dissolved into sister label Jive Records, as part of the Sony Music / BMG merger in 2004, leaving the group in album release limbo), The Clipse returns with its highly anticipated sophomore set, Hell Hath No Fury. Over the past 4-years they've had the internet goin' nuts....Was the buzz worth the wait? Lets take a listen...

*****

"I listen to the beat and the rhyme is wrote. /
See I was 16, eyes full of hope. /
Baggin' up grams at the Hyatt. Though, /
The news called it Crack. I called it Diet Coke."
"Hello New World" - The Clipse: Hell Hath No Fury


On Hell Hath No Fury, The Clipse once again choose to focus largely on their life pushin' that "pure white." The album intro, "We Got It For Cheap," showcases the duo's nearly identical delivery using coke lines to opine on their recent label struggle. "No serum can cure / all the pain I've endured / from crack to rap to back to sellin' in pure," raps Malice (or possibly Pusha T....I can't tell these dudes apart) over The Neptunes hallow drums and synthesized piano keys.

The theme continues on "Momma I'm So Sorry" but this time adding deeper Content to the content.

"But its a bigger picture, holms. Trust, I done seen it... /
I'm no longer local, my thoughts are global. /
Thats why I seem distant. Son, expand you're vision."
"Hello New World" - The Clipse: Hell Hath No Fury


In fact Hell Hath No Fury is at its best when The Clipse's cocain laced raps delve deeper into the psychology behind their hustlin. I mean, its one thing to merely put a bunch of fly words and phrases together over a tight beat and tell a bunch of drug tales (the recent influx of mediocre rappers braggin' about their blow pushin' lifestyles is a testament to that (example no. 1: Rick Ross). But that played out subject matter becomes relevant when an MC makes you relate to the "struggle" without ever experiencing it (a facet that I missed - or they missed - on their previous album, Lord Willin'). The Clipse largely accomplish this feat on Hell Hath No Fury, but never more so than on "Hello New World" and "Nightmares" - the albums 2 most potent cuts (pun intended).

Where "Momma I'm So Sorry" adds Content to the content, "Hello New World" adds the Consequence. The track's infectious hook and The Neptunes oddly choppy, yet fluid production (I'd provide a better description, but my vocabulary isn't that good....yet) has been stuck on the dome all week! Pusha T (or maybe Malice...still indistinguishable) reaches out to his "A-Alikes...who rock Air Nikes, livin' a hustler's way of life," to remind them that its not all good in the drug game.

"I ain't comin' at your 'quote-unquote' favorite rapper /
Who turned positive; try to tell you how to live. /
But this information I must pass to the homies. /
If hustlin' is a must, be Sosa (Sammy) not Tony (Mantana). /
We can all shine, I want your wrist lit like mine.../
Anything that keep mamma from cryin. Visitin /
you behind that glass while you await sentencin.' /
Cause the judge is sayin' life like it ain't someone's Life."
"Hello New World" - The Clipse: Hell Hath No Fury


Furthermore, (taking a nod from the Geto Boys 1991 classic single, "Mind Playing Tricks On Me") on "Nightares" The Clipse expound on the paranoia that comes along with 'pushin it.' Pharrell croons lovely "When I go outside I feel somethin behind me. / I'm lookin back but nothins' around me. / Whats goin on? / What Am I trippin on?" over sultry production from The Neptunes (those dudes are so versatile! Seriously, who else can produce tracks for Jay-Z to Brittney Spears to The Clipse and never sound redundant? Its a beautiful thing. How many years away are they from a lifetime achievement award? Another tangent...), the only beat of its kind on the album.

Unfortunately the album stumbles with the duo's decision to spit braggin' raps for a third of the album. On "Wamp Wamp," (the second single) and "Trill," the group does little more than boast about what they sell, what they wear, and "what it do."

"Dirty Money" highlights the Clipse's willingness to blow "pockets full of stinkies" (drug money) on the ladies....filling the obligatory "chick-track" void (which has to be tough on an album largely about cocaine sales).

The gun shots ring in on "Chinese New Year." Zero originality. Zero replay value.

But even though the content shows little variety on the tracks above, the songs themselves sound great (excluding Chinese New Year) so the albums overall feel doesn't suffer. You can still let it ride without hitting 'Skip.'

*****

"The Realest shit I ever wrote. /
Not 'Pac inspired. Its crack-pot inspired."
"Keys Open Doors" - The Clipse: Hell Hath No Fury

Hell Hath No Fury is a lyrically consistent, sonically exceptional (produced entirely by The Neptunes) cruise through the mind and life of coke dealin siblings. These boys look alike, (probably) walk alike, and (judging by the fact that I can barely tell the two apart) certainly talk alike. Its like they're the rappin' Patty Dukes of Hip Hop...except they're not twins (Malice was born in 1973; Pusha T was born in 1977)...and they talk about drugs...a lot. And the fact that they focus largely on cocaine isn't egregious because they can actually rhyme! This album is closer to (emphasis on closer to) Raekwon's (and Ghostface's) Only Built For Cuban Links and Scarface's The Fix in that manner than (swagger heavy, lyrically deficient) Rick Ross's Port of Miami or Young Jeezy's Lets Get It: Thug Motivation 101.

I can't verify whether or not they're being true to themselves or the lives they've (possibly not) lived, but Hell Hath No Fury is intricate and entertaining nonetheless. They could've scored additional points with The Company Man by including the lyrics in the cd booklet (choosing instead to showcase a bunch of pictures of them draped in BAPE and rockin suits while ice grillin the camera), but thats chump change. Whats most important is that Malice and Pusha T have crafted one of the years best LPs. Clipse fans should rejoice. The wait was well worth it.

Rating: QQQQ
  • Best Tracks:
  • Hello New World
  • Aint' Cha
  • Nightmares

Carry on...

Comedy Interlude

This isn't Hip Hop...but hilarious nonetheless. Click here (brought to you by 104.7 KissFM out of Arizona). MM you're to funny.

Carry on...