Showing posts with label FREDDIE GIBBS. Show all posts
Showing posts with label FREDDIE GIBBS. Show all posts

K-Salaam talks Freddie Gibbs, Big KRIT, Homeboy Sandman

K-Salaam of K-Salaam & Beatnick was featured on #BodegaRadio on PNCRadio.fm this past Friday and discussed the current state of DJs in Hip-Hop. “The real DJs, we keep it alive because we love the culture,” says K-Salaam. “We make our living from producing. I don’t make a living from DJing, really. You have to look a certain way. It’s not even a situation where I’m complaining about it because it is what it is. The culture’s always going to be there but the DJs are out there reppin’. Most of them are garbage.”

In recent years, many emcees, celebrities, reality show stars have leveraged their fame into high profile DJing gigs, replacing veteran deejays. “I spent hours and hours scratching until my arms got tired and there’s a new person and they look a certain way, male or female -- the pretty boy white kid or the good looking exotic girl -- and boom, all of a sudden they’re doing shit,” he says. “But I’m like, ‘OK, if that’s the DJ game, I’m still going to rep turntablism in my sets...’ What’s that say about our culture when the art of DJing has turned into water, like nothing?”

K-Salaam & Beatnick have made a conscious effort to reach out to and collaborate with international artists. They are currently working on an upcoming project with Emiciba of Brazil. “We’re working with a huge reggae artist from Amsterdam named Ziggy,” says K-Salaam. He’s the number one reggae artist in Europe. We’re trying to take it on a world wide level.”

While the production duo is reaching across oceans, they still have projects in the works with a number of US artists. “Obviously we’re not going to discriminate against America. We’re working with a lot of people. We're working with Freddie Gibbs. He just dropped a video, “Rock Bottom,” a track that we produced. You’re going to hear some more Freddie Gibbs, K-Salaam & Beatnick collabos. Big KRIT, we have a record with him coming out, it’s on the low. We’re just waiting for the right time to put it out. It features another major rapper on it, from the South. A legend. I won’t say who it is.”

K-Salaam also touched on the failed collaboration with Homeboy Sandman. “I don’t want to speak on negative things about anybody at all, but I don’t want to be a politician either,” says Salaam.

“It was a negative situation. We’re not working with him anymore. I wish him the best and we’re pretty much over it. It was a tough situation because we put so much time into it as producers. Like 6 to 8 months of hard work and he can spit his raps over somebody else’s beats and we can give our beats to other rappers, but the time spent mixing and mastering and putting scratches and all of a sudden it’s, ‘Oh, I don’t want to work with you no more,’ it’s a tough situation. At this point, we’ve moved on and like I said, me and Beatnick got a lot of stuff coming out.”

K-Salaam will spin at Southpaw on Tuesday, April 25th with Big KRIT, Freddie Gibbs, Smoke DZA and Jah C & The Antidote.

LISTEN TO THE FULL INTERVIEW ON #BODEGARADIO

Follow K-Salaam on Twitter @KSalaamBeatnick

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Freddie Gibbs signs to Young Jeezy's CTE Records

One of Rap's most respected free agents has finally landed. Gary, Indiana's Freddie Gibbs has officially inked a deal with Young Jeezy's CTE (Corporate Thugz Entertainment) imprint, cementing the widely circulating rumor of a pending collaboration.

Gibbs burst onto the national scene following his two critically acclaimed mixtapes, The Miseducation of Freddie Gibbs and MidwestGangstaBoxframeCadillacMuzik in 2009 earning a high profile appearance in The New Yorker, and the cover of XXL Magazine as part of it's Freshmen '10 cover. After the success of his 2010 EP, Str8 Killa and his nationally televised appearance on Last Call with Carson Daly, Young Jeezy signed Gibbs to his Atlanta-based record label.

CTE Records is distributed by Island/Def Jam and released Jeezy's platinum selling debut album, Let's Get It: Thug Motivation 101 among others. Freddie Gibbs' is currently on tour with Big K.R.I.T. and his next mixtape, A Cold Day In Hell is scheduled for release by CTE later this Summer.

FREDDIE GIBBS & Big K.R.I.T. -- 2011 TOUR DATES

04/12/11 Infinity Williamsville NY
04/13/11 The Haunt Ithaca
04/14/11 Pearl Street (downstairs) Northampton
04/15/11 Westcott Theater Syracuse
04/19/11 The Soapbox Laundrolounge Wilmington , NC.
04/20/11 Stereo Live Houston
04/21/11 Cat's Cradle Carrboro
04/22/11 Greene Street Club Greensboro
04/23/11 Jaxx West Springfield
04/24/11 U Street Hall Washington
04/25/11 Mr. Smalls Theatre Millvale , PA.
04/26/11 Southpaw Brooklyn
04/27/11 Chameleon Club Lancaster
04/28/11 Bourbon Street Ballroom Baltimore
04/29/11 Haverford College - Founders Hall Haverford
05/01/11 New Meadowlands Sports Complex EastRutherford

READ FREDDIE GIBBS' EXCLUSIVE INTERVIEW WITH BROOKLYNBODEGA.COM

#BODEGARADIO WITH GUEST FREDDIE GIBBS

Follow The Company Man on Twitter @TheCompanyMan

Freddie Gibbs, Str8 Killa Album Review


Integrity is paramount to Freddie Gibbs.

Boasting a polished midwestern style that effortlessly shifts from rapid fire to slow flow throughout, the Gary, Indiana native laces his Decon Records debut EP -- Str8 Killa -- with unabashedly gangster tales depicting the consequences and repercussions of hustling for survival, never glamorizing the street life’s unsavory nature. “My homie’s 16 and won’t see daylight till he’s 64 / That’s how we’re living though / With limited opportunity / Twisted off reefer / Parents and teachers could not get through to me,” he raps over the Block Beattaz' stadium-sized production on album opener “Str8 Killa No Filla." The Jay Rock-assisted “Rep 2 Tha Fullest” reinforces Gangsta Gibbs’s intent on showing both halves of the dark side while quickly separating himself from other rappers publicly pimping a life they’ve never lived. “Rap is for dick suckers and divas / I don’t recall these / type of niggas living and breathing where I reside at...so little niggas go to school get right / The shit I’m doing, nigga, you could do life / Before I picked up a mic I earned my stripes.”

Str8 Killa’s highpoint comes on the appropriately entitled, LA Riot produced, “National Anthem (Fuck The World),” where Gibbs details the dilapidated conditions of his hometown, his eventual dismissal from Interscope Records, and the struggle to make music for “the midwest streets that need [his] voice” -- over a righteously anthemic beat designed to rattle trunks rolling down any highway in America. “Personal OG” provides the obligatory salute to the sticky green, while “The Coldest” and it’s radio-ready hook (courtesy of BJ The Chicago Kid) and sublime Kno production adds just as much depth and perspective as any other offering on the EP, proving Gangsta Gibbs can play in the commercial sandbox and still come out clean -- never sacrificing his message for the masses.

And there lies Str8 Killa’s lasting legacy: Freddie’s ability to delve deeper into the psychology behind the gangster life. He attacks each track with enough angst and honesty to force you to relate to his “struggle” without ever experiencing it personally. The visceral nature of his music is what makes him an artist, not just a rapper. Gibbs largely accomplishes this feat throughout Str8 Killa, but never more potently than on the Bun B-assisted, Beatnik & K-Salaam produced, “Rock Bottom...

CONTINUE READING @ HIPHOPDX.COM

FREDDIE GIBBS INTERVIEW - A BROOKLYN BODEGA EXCLUSIVE




Honest. Unapologetic.

Whether kicking vivid depictions of the dilapidated state of hometown Gary, IN, or lyrically ripping through decidedly unglamorous street tales describing the effects a collapsed economy can have on a downtrodden population on either of his near classic mixtapes (The Miseducation of Freddie Gibbs and Midwestgangstaboxframecadillacmusik), or speaking to the plethora of websites and publications blowing up his handheld hoping to score an interview with the 2009 breakout artist — Freddie Gibbs remains honest and unapologetic.

In an era where the social perspective and contextual consequence engrained in Gangster Rap music’s original form has been commercialized into little more than bling and bricks and bravado, the former Interscope artist has garnered nationwide attention through his vulnerable, emotion provoking, unabashedly gangsta lyrics.

More common man than Kingpin, Freddie doesn’t “boast about ballin’.” He “raps about survival.”

And those honest, unapologetic survival raps not only secured Gangsta Gibbs a seat on XXL’s vaunted Freshmen 10 issue, but landed him within the pages of the esteemed New Yorker Magazine — all without inking a deal with a major record label.

In an interview with BrooklynBodega.com, Freddie Gibbs breaks down the environment in which he was raised, surviving an addiction to pain killers, the decision to reply to Jae Millz, and why “real n*****” don’t wear chains.

CONTINUE READING @ BROOKLYNBODEGA.COM