Homeboy Sandman - Sicker Than the Average

"I got a hunch like, Igor / that once you hear it you're gonna need more. / Dope at first / plus doper than before" - Or; Actual Factual Pterodactyl


Now, the first thing I say to cats on the street trying to sell me their CD is 'spit something.' The results are normally, A) homie waffles for a few, asking some version of 'what do you mean?' 'Something from the album?' 'What do you want to hear?' (as if I already have a favorite song from this unheard of rapper blocking my path to the D train) - basically stalling because he's unprepared. Or, B) homie kicks something immediately and 9 out of 10 times, that something is wack. Admittedly, whatever that was kicked may actually have been better than what I heard. Its just that something was lost in translation because his Emcee skills were not up to par - meaning the live delivery was lacking. There are more rappers than ever, but ironically, Emcee-ing increasingly feels like a lost art.

Refreshingly, Homeboy Sandman is a throwback to the days before Emcee-ing went digital. Don't get me wrong, 'Boy Sand is certainly a presence on the interweb (his 135+ Youtube videos are proof of that). But considering how relatively easy it is to reach the masses through the net, along with Rap going main street, today's average "Emcee" is no longer required to develop his/her fundamentals - the cypher and the live show.

Immediately after meeting the half Dominican/half Puerto Rican, Queens native, it is obvious that Homeboy Sandman is not the average Emcee. For starters, homie rocks a degree from the University of Pennsylvannia, which he down plays immediately.

From Ballerstatus.com:

"Cats talk about how I got an ivy league diploma a lot, and how I'm a rapper anyway. I don't really see the connection. Hip-hop is what I love. It's what I love to do. I love to rock stages, rock crowds, make dope records, be where dope records are being played...I think that academic education is an excellent endeavor for whoever hasn't found their true calling in life. But once you find your true calling, none of that other stuff matters. You'd better drop everything else and go full force or you're not gonna make it...People can do whatever they want, as long as they're willing to work."
But most importantly, 'Boy Sand packs focused lyricism, heaping originality, infectious delivery, and an energetic live show into his six-foot-five-inch frame - a rare skillset for any artist to possess.

Part Megatron. Part vagabond. Complete Emcee.

The Quotable was first introduced to Homeboy at this year's Brooklyn Hip Hop Festival. Six bars into "VerbalSoulClapMania", we were convinced. Check videos below.





Given that Homeboy Sandman's two, critically praised LPs (Nourishment (Second Helpings) and Actual Factual Pterodactyl) can be found on iTunes or through his website (http://www.homeboysandman.com/), its not likely that you'll catch him pushing CDs on the street. But if you're as fortunate as us to happen upon a chance encounter - just ask him to spit something for you.

We did.

Check Homeboy Sandman and Cavalier cypher outside b.o.b.'s on the lower east side - A Quotable Exclusive - here.



Actual Factual Pterodactyl review on the way.


Carry on...

Evolving Taste - A Quotable Conversation

Theres something sexy about talking Hip Hop with a dope chick whose knowlegeable about The Culture. D and I fall into these deep, occassionally theoretical, often anger enducing conversations on a fairly regular basis. This one took place over gmail chat the week 808s & Heartbreak (click here for review) and Theatre of the Mind (click here for review) dropped, and evolves from an album-quality-discussion into album-taste-discussion. Pretty interesting. Read on.

(...begins right after reading The Quotable's review of 808s & Heartbreak.)

TCM: so thats what i thought
Danielle: got it. i agreed with most of what you said.
i don't think his content is necessarily bad, i just don't think people will really listen
TCM: i didn't think the content was bad
i thought a quarter of the album was suspect
and the rest was pretty dope
its about the beats in my opinion
Danielle: i agree, but i have a feeling it wont do very well
TCM: not by his standards...i agree
it'll go plat though
i think it will expand his fan base
Danielle: b/c it has his name on it
TCM: while pissing off the core
Danielle: yup
we learned that in marketing
disruption of your core consumer base can be a problem when its a highly competitive market

TCM: but its not that competitive right now
Danielle: that's what i was going to say. lucky for him
overall i probably wouldn't listen to it more than a couple of times
i like some of the tracks and there are a few lines that i really really like
TCM: Amazing is amazing
or maybe - amazing is Amazing
Danielle: yup. amazing. love lockdown.
and heartless.
TCM: welcome to heartbreak
Danielle: it actually makes me a little sad
to be honest
TCM: me too...
thats what i like about it
Danielle: but you don't like sad stuff
TCM: i don't gravitate towards it
Danielle: no. do you really feel like you are missing something in your life not having love and family? that was a sad part of your quotable
TCM: i do. but at the sametime i don't think thats something i should rush into until I'm absolutely ready
Danielle: so you have no need to be sad about it
b/c in someways its voluntary and a product of your own personal timing
TCM: but i'm not sad about it
i didn't mean for it to translate that way
Danielle: are you going to do one for luda?
TCM: preliminary reviewing now
MVP is crazy!
i've listened to it 4 times now
in a row
Danielle: hmm. you know, i might actually take back what i said about kanye's album
TCM: what do you mean
Danielle: i agree with you. it might do well not just with the same people
but i don't know if that's a good long term strategy
sorry...always putting on the b-school approach to things
lol
TCM: thats cool though...always teaching me something
i think he'll be cool cause he's still dropping freestyles and guest appearances consistently
go hard
swagger like us
stay up
estelle's joint
he's still rhymin this isn't permanent
lollipop remix
common's new joint
John Legend's album
Danielle: listening to mvp to see what you are referring to
TCM: mvp is illllllll
Danielle: luda is always telling people how great he is
napoleon complex or something
TCM: thats hip hop
braggadacio
bravado
he can take it other places too
but freestyle tracks are my favorite
Danielle: u think still? that hip hop is still about bravado?
i don't know if i still believe that now
TCM: sure it is...
all the biggest emcees stay on that shit
its just not put out there commercially in the same way
labels steer it towards the club
Danielle: i dunno j. mvp is ok.
i don't see him doing anything really different on this track
TCM: what???
the beat is sick
luda is droppin lines on that!!
I'm going back to it right now
Danielle: the beat is cool (for me it holds the song up) but that's about it
it reminds me of a slower version of that Virgo song he did with Nas for some reason
TCM: that song was hot too
Danielle: yup. introduced you to that song
the beat is a little old school, no?
its a cool beat but...
TCM: ''damn man, what the hell you smokin' on / its ludacris, i got more cheese than provolone''
yeah...thats why the beat is dope
thats Premiere
Danielle: i swear he has said a similar line to something like that before
TCM: i love the beat
Danielle: maybe thats what not working for me with the song then
TCM: "takin' shots like Kennedy!!!!"
Danielle: tight old school beat with same luda lines
TCM: whooooaaaaa
Danielle: is the whole cd like this?
TCM: ouch
nah..theres a lot of story telling and perspective rhymes
i don't know what happened to you, D. i thought you'd love this song
i got that one all wrong
Danielle: haha. yeah. i think you thought i would like it a lot for the beat
TCM: the scratches are ridiculous
aight...here's a song you'll like
Lets stay together
Danielle: you know what it is
TCM: what is it
Danielle: i think i "hear" a lot more than i used to in the past
TCM: You'll love Do The Right Thang...infact...listen to that one now
Danielle: i like this one better
TCM: yeah...thats your ish
back on track
Danielle: maybe i'm leaning more towards conscious hip hop in my old age?
TCM: yeah...you are
i am too
its more intellectually stimulating
but i still love ill cypher rhymes
Danielle: yeah. i think in terms of order of listening
i hear what folks are sayin first
then i hear how they are saying it (ie: flow, rhyme etc)
then lastly i listen to beat
i think when i was younger that order was reversed
TCM: yeah...i can tolerate a wack beat if the lyrics are dope
but not as often the other way around
Danielle: precisely - well those are mostly club songs so you can shake ur ass to it regardless of what they say - u know "till the sweat drip down my balls" type stuff. which is maybe why i didn't gravitate to MVP. i heard what he was saying first and it just reminded me of some of his older albums
TCM: HAHAHA!!
that shit was funny
"til the sweat drip down my balls!!"
"now drown a bitch! drown a bitch!!"
Danielle: lol
TCM: yeah...but MVP isn't sweat drip down my balls type shit
Danielle: im not saying it is
what i'm saying is that i heard what he was saying
rather than listening to the beat first
whereas a couple of years ago.
i would have listened to the beat first
TCM: but what he's saying is dope
Danielle: and probably would have liked it more
i'm not saying what he says isn't good. its just typical luda
perhaps i was looking for something more?
i'm not sure what...
TCM: luda's always been like that
freestyle tracks
Danielle: i know. which is why i'm not sure why i was expecting more.
TCM: and concept tracks
and just recently started adding emotional tracks
Danielle: yeah. at first i wasn't sure how i liked luda and emotion but it works ok
if i want to think about heartache and longing though, i'll go to kanye's album
TCM: LOL
thats the truth
full circle
Danielle: yup.

iBanker

"Like a broke stock broker on the side walk, / Ya'll n***** ain't as fly as me." - Lupe Fiasco



Just thought this was funny. Thanks Andrea.

Carry on...

6 MINUTES WITH JEAN GRAE AND 9TH WONDER - A QUOTABLE EXCLUSIVE

"Uncommon like Erykah. / Phenomenon hysteria. / Height rocks millenium. / Shante' criteria" - Jean Grae

Following Blacksmith Record's re-release show for Jeanius (review to come) at the seminal Fat Beats record shop in lower Manhattan, I had a chance to steal a quick 6 minutes with the grossly underappreciated, illest FEmce, Jean Grae and the new Pete Rock, producer 9th Wonder. Read on to find out about Jeanius's "risky" production process, the status of Jean's unreleased video "My Story," 9th's relationship with legendary producers Pete Rock and DJ Premiere, peach cobbler shakes, and Vivrin...

TCM: You're talking to 2 Carolina cats right now?
9th: Oh, where you from, man?
TCM: I'm from Greenville.
Yahnick: South Carolina
9th: Oh, ok! Ok.
Yahnick: I spend a lot of time in the Raleigh/Durham area. My sister went to A&T...
9th: Too bad!...Whats her name? Sadiqua? Sadiqua, too bad. You went to A&T, it was a bad choice. Its a dumb school. I don't they learn anything...
TCM: Ay, my mom went to A&T, man. We gotta slow down a little bit.
9th: Oh, your mom went to A&T, man?! Be glad that thats your momma!
TCM: Watching you guys, and listening to you guys, you have a real natural chemistry...
9th: I don't like her ass to tell you the damn truth...
Jean: I fuckin' hate this dude.
TCM: So whats it like being in the studio? Are you actually in the studio together?
9th: Uh, we did Jeanius together, yes. We did Jeanius in 4 days. Recorded in 4 days.
Jean: We both just blacked out. We totally blacked out. And when we came out of the blackout, it was an album.
9th: Are you familiar with the restaraunt called "Cookout?"
TCM: Yep.
9th: Lots of "Cookout." Lots of "Cookout."
Jean: And No-Doz. And Vivrin.
9th: And Vivrin.
TCM: So it was, fun?
9th: Yeah, yeah, yeah man. It was very risky. We was eatin,' man, burgers and grilled chicken sandwhiches. And taking Vivrin at the same time...
Jean: Peach cobbler shakes...40s...
TCM: Gotta watch your sodium, now.
Jean: No that was years ago. I can't do that now.
TCM: Fried foods gonna catch up to the cigarettes and break your health a little bit.
9th: Exactly. Its all good.
Jean: Thats why he's eating homecooked meals.
9th: Exactly.
Yahnick: What you got in there? Lets see that, lets see that.
9th: Uh, uh.
Jean: Nope nope nope....Well it was roasted chicken, sweet potatoe fries, some vegetables with rice, and homemade apple sauce.
9th: I'm gonna take this to Baseline and finish it.
Jean: Yeah, go for it. Wheres (someone whos' name I didn't catch)?
9th: At Baseline with Pete Rock.
Jean: Oh. Pet Rock?
9th: Pet Rock.
TCM: So how does it feel to be compared to Pete Rock, to Premo, to those cats?
9th: I love it, man. They're friends of mine. They think its cool too, so, you know...Some people go around claiming that...Pete and Preme don't think its cool. But they think its cool. They like [the comparison]. And, you know, I with it, man. Those are my adopted big brothers. They take care of me, man. And I truly take care of them.
Yahnick: You deserve it, brother. You deserve it.
9th: When you put in the work, thats what happens.
9th: I appreciate that, man. I appreciate it.



TCM: So Jean, with lyricism coming back to the forefront now, and as a female Emcee...
Jean: Is it?
TCM: Oh yeah, certainly. You don't think so? Or would you disagree?
Jean: I mean, it would nice. It would be nice.
9th: Jean thinks a lot of people can't rap.
Jean: Yeah, of course.
TCM: She's right about that.
Jean: I do. Definitely do.
TCM: As a female Emcee, its twice as hard at the same time...
Jean: Its a little more than twice. A littler more than twice.
TCM: Thats fair. Thats fair.
Jean: It is what it is. Thats my battle so I never look at it like that. [But] Yeah, its hard.
TCM: One of the things that I do appreciate about your show is that you always look like you're having a good time on stage.
Jean: Because we are having a good time. We are genuinely having a blast. And most of the jokes we share are a blast. And I can feel free to talk. I can listen to...'fun chillin' in your living room,' thats what you always feel like. [Motioning towards 9th] Except when he's on stage and then I just want to get off stage.
TCM: So how is it over at Blacksmith right now?
Jean: Its getting better.
9th: BLACKSMITH IS FANTASTIC.
Kweli (in the background): Its amazing!
9th: Its an amazing place. Ran by an amazing guy. Who makes amazing records.
Yahnick: I have a question, ever since they altered [My Story], you were kind of upset about that.
Jean: I don't know. Never seen it. Don't plan to. And its not coming out.
9th: I haven't seen the video either.
Yahnick: Well she doesn't like you so, thats probably why you haven't seen it.
9th: I don't like her ass either...



TCM: So whats up next? Are you going on tour for this release?
Jean: Yes. We have to.
TCM: Wheres the first stop?
9th: Carboro, North Carolina. Outside of Chapel Hill. The cats craddle.
Yahnick: When are you going to be in Greenville?
9th: I don't know.
TCM: We need a definite behind that.
Yahnick: They desperately need you.
9th: Thats what I heard, man. Hold on a second (into cell phone: 'Mommy I'm doing an interview and the cameras on me and you're on the phone').
Jean: They gotta actually ask us to go. They gotta actually ask us to go. Otherwise it would be really really weird if we just, like, went to a place for a show and...Do you have a venue?
Yahnick: Yeah, I'm gonna get one.
Jean: Okay, yeah. Then we're there.
TCM: So, was it more fun making This Week, Jeanius, or the re-release?
Jean: Oh, everythings just different. Everythings a different experience. I can't judge.
TCM: I hear that. Well, I appreciate it [the interview]. Again, I'm with The-Quotable.com. Good lookin...
9th: You slid into interview kind of slick.
Jean: Yeah, that was nice.




Carry on...

The Quotable Reviews: Theatre of the Mind

"Cause this is Theatre of the Mind. / Consider it a sign / of whats to come next." - "I Do It For Hip Hop"

After 8 years and 6 studio LPs, there are certain expectations we here at The Quotable have for each new Ludacris album:

We expect him to come hard from the left with his big, baritone voice, and even bigger videos and production ("Southern Hospitality," "Roll Out," "Stand Up!," "Get Back," "Move Bitch").

We expect him to down shift into mack-mode for a track or three (a la Busta Rhymes), using his tongue-twister-slash-late-night-phone-tone to seduce the fairer sex ("Phat Rabbit," "P-Poppin," "Splash Waterfalls," "Hoes In My Room").

We expect a healthy amount of comic relief ("Ho," "Area Codes," "Blow It Out").

We expect an ill 16 bar cipher cut to open each album ("Southern Fried Intro," "Intro," "Warning").

But what keeps the respect flowing in Luda's direction is his visceral focus on lyricism. And we expect him to drop lines like 'Enter' each and every time out the gate.

FACT.

So as expected, we here at The Quotable were more than amped about Luda's sixth studio album, Theatre of the Mind. Although he's never been one of my default Emcees (artists that you listen to during those times when you don't know what you want to listen to), Ludacris consistently brings that heat when its cold outside. Does Theatre of the Mind meet the standard? Walk with us as...

The Quotable Reviews: Theatre of the Mind

Theatre of the Mind is basically made up of three types of tracks: cipher cuts, chick/club songs, and concept records - all intended to provide that scene-from-a-movie feel.

The album opener, "Intro," represents the obligatory, ill, 16-bar, cipher cut where Luda reintroduces himself while laying out the premise of his latest release (a staple found on each of his LPs). Over The Runners heavy bass line, bouncing snare drums, and medieval choir, Ludacris drops one of the most honest quotables of his career - "Give me 16 bars / on another n***** song / and you know that I'm gonna fuckin' kill it!" 'Cris has arguably the hottest intros in the game. Each of his LPs opens with some big, triumphant, back-the-muttaskut-up-cause-you-can't-handle-me-lyrically intro that immediately reminds you why Luda's necessary to Hip Hop right now - because he holds every other MC accountable for his craft. "Intro" is no different, and equally refreshing.



And to be honest, this is the side of Chris Lova Lova thats had us here at TQ so eagerly anticipating this latest release. I mean, tracks like the hilarious, T-Pain assisted "One More Drink," or the club anthem, Chris Brown featured, "What Them Girls Like," or even the R&B-throwback, Scott Storch produced "Contagious" (featuring Jamie Foxx) suitably fill the chick/club track quota (none of which are bad listens). And concept records such as the 9th Wonder produced "Do The Right Thang" (where Luda and Common team up to remind cats to walk the right path or be prepared to face life's consequences), "Call Up The Homies" (featuring The Game), or the trap-certified, 808 bass-lined, "Southern Gangsta" (Rick Ross and Playaz Circle join Luda to wax poetic about their hustler credentials), or even the highly anticipated T.I. collaboration, "Wish You Would" help to round out the album. But Theatre of the Mind's true value is found in its cipher cuts.

"Bow down to greatness / before I get pist-n' / run up in the stands like the Indiana Pacers." - "Undisputed"



"Undisputed" and "Everybody Hates Chris" (with Chris Rock) are the albums first 2 examples, each showcasing Luda's brolic, battle-ready lyrical demeanor. The latter's lively horns and hand claps invoke an immediate head-nod while 'Cris rides the track to perfection. Then, after a brief detour down chick-track-avenue, Theatre of the Mind breaks left onto freestyle expressway. "Last of a Dying Breed" is an epic, scratch-heavy, track that Luda and Lil' Wayne use to put on an exhibition in lyrical exercise.

"Top 5 dead or alive / but really it just hit me / that 3 out of your 5's too scared to f*ck with me. / So how can I advance if you don't give me no opponents? / How can you see the future if you're living for the moment? / Hip Hop couldn't die, / I never offer my condolence. / But I offer ya'll day of atonement."

Luda's arguably at his best on the DJ Premiere produced "MVP," which is also arguably the album's best beat. Premo provides that classic boom-bap nostalgia, and Luda laces this one with some of the albums dopest quotables:

"And my delivery's invading your vicinity. / Hennessey is my remedy. / Taking shots like Kennedy. / And I been a G / for a long time. / To these streets I'm connected like I'm on-line. / On time for whatever. / And every time an album drop, / I drop B.I.G. like Voletta."

I drop B.I.G. like Voletta???? It doesn't get much iller than that!!! It doesn't get much more visual than that!!! And, since The Notorious BIG was a large muttaskutta and giving birth to him must have been exceptionally uncomfortable (Voletta Wallace is Biggie's mother), it doesn't get much bigger than that!!! Now add the fact that Luda's sold over 15 million records world wide (no easy feat for any artist at any point in history, let alone during the recent record-sales recession), it doesn't get much truer than that. Ludacris is a beast. Ludacris is a beast.

"I don't do it for the cars and the fancy drops. / I do it for Hip Hop." - "I Do it for Hip Hop."

Rounding out Theatre of the Mind's best run is "I Do It For Hip Hop" - an ill, scratch-heavy cipher cut enlisting 2 of rap's titans - Jay-Z and Nas. Another great track. Each Emcee gets busy here, but in the end, Ludacris outshines both. Jay appears to have an interesting strategy though. Rather than attempt to go straight at Luda lyrically, he instead uses an old school flow, invoking Hip Hop nostalgia to leave his mark on the track ("Hip Hop / started out in the park. / We used to do it to avoid the narcs."). My cousin Sha pointed that one out. Nas kicks a cool little bumble bee analogy to describe how he's "as live as a hive full of predators," successfully netting him 3rd place.

"And their almost extinct / so I'm sayin' it loud. / MC means 'move the crowd'" - "Last of a Dying Breed"


15 tracks. Loads of guest appearances. 0 interludes.

All in all, Theatre of the Mind is a balanced, enjoyable, LP that will have your head-nodding as soon as you press play. You can clean to it. You can pre-party to it. Might be tough to slide into mack-mode, but you can definitely drive to it. Its combination of chick/club tracks, concept records, and cipher cuts adds up to a solid, diverse listen. Theatre of the Mind is one of the year's best Hip Hop albums, and arguably the most potent of his career.

And the more I think about it - I'm a bi-album Ludacris fan; meaning that I tend to get excited about every-other Ludacris album. Back For The First Time caught me off guard in a good way which made me excited about Word of Mouf (2001). But Chicken & Beer (2003), although more-than-nice in retrospect, wasn't on the priority list at the time. Then The Red Light District (2004) dropped and of course I had to cop that the first day. But I damn-near ignored 2006's Release Therapy, which is his most critically successful LP to date. Now here we are, late in '08, and for some reason I couldn't wait for this album. And thats because, for me, less is more with Ludacris. He's such a larger-than-life presence on every song, that it doesn't take much to OD. Theatre of the Mind's diverse sound scape does a solid job of minimalizing that trait, signalling replay-value potential (and it doesn't get any more important than replay value).

Furthermore, the fact that there is nothing ground-breaking, or career redefining here, or that Luda doesn't show us a new side of his person, his thoughts, his lifestyle, his anything isn't necessarily a bad thing. He still delivers a top-shelf product that embodies all of the reasons why you love Luda in the first place. His diversity. His ability to make you laugh, to make you bounce, to make you feel OK about screaming "move bitch, get out the way!" And most notably, the fact that he's a lyricist to the death - and he's got what you need. Ludacris, the last of a dying breed.

Rating: QQQQ

DJ Willz of Steels Lazy Boy Mix - A Quotable Exclusive


Mic check one-seven-one-eight...fresh out of Sunset Park. BK. NYC. DJ Willz of Steels drops the Lazy Boy Mix straight to QUOTABLE NATION! From his dome to your earlobes, the Lazy Boy Mix is packed full of classics that you know and ill-ish you need to hear. But whats most impressive?...he laced it all in one-take! Yep...homie's mean on the ones and twos. Peep game.

DOWNLOAD DJ WILLZ OF STEELS LAZY BOY MIX HERE

Carry on..